Confessions
of a Baby Boomer and his television archives
by Ira H. Gallen
a Sony Video & Hewlett Packard
photosmart & scanner picture essay
I don't need to be hooked up to the information
highway to know I'm getting older. It's
nature calling.
No
satellite, wires or cable receivers needed
when that biological clock kicks in. It's
like Yellow Alert, Scotty standby with warp
driveóit can hit any time, at work, walking
home, or just waking up in the morning.
You can't run from it. You either deal with
it or kvetchóit's just part of the interconnect
of life.
Prepare
for incredible midlife urges to see film
and TV images, as well as numerous other
artifacts from your youth, including intense
memory flashes from days gone by.
Maybe you're watching the news. Faster than
you can say Manchurian Candidate you're
comparing the plight of the young today
to when you were just starting out. "Wait
till they get older, they'll learn."
Wait a second, what's going on here, did
I say that? Boy, that's something my parents
would say. In fact, I'm as old as my parents
were when they had me.
Where's
my life gone, how old am I anyway? Jerry
Garcia, Kurt Cobain and John Lennonówhat's
it all about, Alfie?
The 1950's to me wasn't Elvis Presley, James
Dean, or juvenile rebels creating the first
rumblings of an uprising against the establishment.
I
was too young to worry about things like
that. The only trouble I got into was the
kind the "Beev" would in Leave It To Beaver,
like breaking a window with my baseball
and trying unsuccessfully to cover it up-kid
stuff.
And
the A-Bomb or the notion of the Russians
invading Brooklyn was the farthest thing
from my mind.
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The only Cold War that troubled me
was my mother rubbing Vicks medicated
gook on my chest when I had a cold.
I'd
rather have been in bed, congested,
watching TV, than at school anyway.
But most of the time I was better
off in school because daytime programming
wasn't for kids, and I was not a soap
opera fan.
Years later, of course, I would learn
to appreciate daytime talent like
Art Linkletter, Kate Smith, Arthur
Godfrey and the unsung hero of daytime
TVóand my favorite hostóDennis James.
In the art of film history documentation,
pioneering author Herman Weinberg
once told me, quoting Nietsche, that
in regard to history writing, "There
are no such things as facts, only
interpretations of facts."
That's
the theme of my life as I uncover
incredible artifacts of film & TV
history that haven't been seen since
they first aired, sometimes over forty
years ago.
It's
up to you to make use of these findings
and write about them. You can go out
and document a piece of TV history,
and uncover some incredible people
and shows.
But then, all of a sudden, I find
myself in the business of nostalgia
documentation, and I'm also a lot
older.
I'm
overwhelmed at times over what was
my childhood and how it was (and still
is) reflected in the images and artifacts
of the era: Toys, comics, magazines,
and, of course, the television commercials
and TV shows that I've uncovered over
the years.
I like to time trip in the early fifties
because of the kid shows I loved to
watch. But it was a very different
era from that other great treasure-trove
of nostalgia, the sixtiesó Donna Reed's
dresses, with crinolines underneath,
matched against Nancy Sinatra wearing
a mini skirt and go-go boots.
In
the fifties, I was still too young
to have girls influencing my life.
I'd rather have been riding the range
after the bad guys alongside Hopalong
Cassidy, Roy Rogers and The Lone Ranger.
Every kid in America owned a gunóa
toy gun, that is. There were 32 Westerns
on TV back then, and just about as
many detective shows, and if you were
a typical preteen viewer, you had
to have a Roy Rogers, Have Gun Will
Travel, or Wanted Dead Or Alive gun
set to play with while you watched
your favorite shows.
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