TELEVISION ARCHIVES
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The Television Archives site from the Video Resources New York collection houses one of the countrys finest collection of rare and in some cases one of a kind television shows from the Golden Age of Television that I have uncovered over the last thirty years.

You’ll find that parts of this collection also houses the work of producers, directors and talent that saved their own history on television by making kinescope film copies of there work such as the pioneering Television producer Steve Carlin who created the Rootie Kazootie Club on NBC , Claude Kirschner & Mary Hartline who starred in Super Circus and Jerry Lester the host of Broadway Open House among others.

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This collection has been used by schools, universities, documentary directors, feature film and television shows, music video producers, network and cable news, magazines and variety shows, ad agencies and fans of any by-gone era of television.
 
Archive Listings

Soap Operas

Comedies

Kids Shows

Variety Shows

Advertising on Television

Dramas

Game Shows

Adventure Shows

Sports Shows

Barn Dance

Documentaries

MORE TV LINKS
In Search Of Television History


There’s not a museum or library in the country that houses the complete history of television--it just doesn’t exist. I’ve spent most of my adult life trying to locate the television shows and commercials I watched as a kid back in the fifties and sixties, because the networks and most production companies and ad agencies either threw this material away or lost it. Either way, most of it is gone apart from what I and people like me manage to find.

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It’s a sad fact that in the world of television, just like that of the feature film industry, it was easier to reduce storage costs by throwing all of those supposedly worthless old black-and-white kinescopes and television shows away, instead of saving them for the home video and collectors markets of the future.

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THE MUSEUM OF TELEVISION and RADIO


We have been working with the Museum of Television and Radio in New York for over twenty years--they have helped me transfer thousands of hours of my celluloid television shows and commercials from fifties and sixties to video tape for others to learn from and study.

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SAVING TELEVISION HISTORY


But even now, when you watch the AMERICAN MOVIE CHANNEL talk about saving film history, they’re referring to feature film history, not television history. You don’t find major movie and television directors trying to save great works of television art in the way that they do film--that’s why I’m here.

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THE PRIVATE FILM COLLECTORS
It’s because of the hundreds of private celluloid film collectors who during the pre- video days owned 16mm and 35mm projectors in their homes that many of the feature films that you enjoy watching today exist.
Even today, if a student wants to be an advertising copy writer and study the television commercial style of a jingle writer from the fifties, forget about it--you still can’t. Even finding books related to these topics is impossible. Today, go to your local bookstore and you’ll find hundreds of books related to film history, not television history.


YOU CAN STILL BE PART OF TELEVISION HISTORY


I’m hoping that the scholars and fans of television history will make use of this site to help in the research and write the books needed to document this industry, especially its past. Many times, we get requests from ad agencies and film studios doing movies or commercials with period settings, looking to get clearances from the talent in the different television shows and commercials we house at Video Resources. Indeed, anyone recognizing anyone in our shows whom we might not know about should tell us. So where someone wouldn’t have gotten a residual payment in the past, because there wasn’t such a thing as residuals back then, this is a chance for them to make something now, for themselves or their families.



WE BUY, SELL, TRADE and SAVE FILM PRINTS & MEMORABILIA

Somewhere, I know you have some old 16mm or 35mm kinescopes or films sitting in your closet, basement or attic, and it’s time to get rid of it, because you don’t even have a projector on which to run them. And you need the space, so send it to us. Even if you don’t give it to us, we can at least tell you if it’s worth saving. Then again, I bet you have a closet filled with old toys and other odd-shaped pieces of memorabilia--let us know about it. If we don’t want it, I know I’ll find some people or organizations that do.

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