top of page

Home 

 Toys

IMG_3807.jpg

Posters

Sequence 01.Still784.jpg

Commercials

YLF_009.JPG

Women

Sports

 Newsreels

Animation 

Popeye_and_betty2.png

 Movies

  TV

   Kids TV

DISNEY ANIMATION ON TELEVISION

donaldduck-tomoreb-580x449.jpg
oreb_pegleg1-580x440.jpg

DISNEY ANIMATION ON TELEVISION

​

In the late 1940s and early 1950s  most of the commercials created for television were transmitted live. During the show the host or star would stop what they was doing on the set and start hawking the sponsors product.  The production costs soon increased when they turned to creating their message with filmed techniques. Animation might have been an expense and time consuming  venture on one hand, but the leading animators were also desperate for work, during the the Golden Age of Television when the medium was growing and taking business away from the movie theaters.

 

So highly respected and formerly high-paid animators like Shamus Culhane (to see interview: click here), Art Babbit, Preton Blair, Zach Schwartz, and David Hiberman among others found there future paychecks creating animated commercials. I've spent the last four decades searching for many of those lost and forgotten commercials. Most of the time they were discarded by studios, producers and networks that had no need for them.

​

Growing up in the 1950s brings to mind many memorable animated characters that captured our Boomer hearts and whet appetites to urge our parents to buy their products. Boomers may recall Speedy the singing Alka Seltzer tablet, the Hamms Beer Bear, the Ajax Elf's, the Cheerios Kid, Bucky Beaver for Ipana toothpaste, Trix cereal rabbit, Kembler Elf and the list runs on.

The Disney Studios plan of a attack was to create two types of commercials. There would be those that would feature the classic stable of Disney characters catering to sponsors supporting the Disneyland television program like Peter Pan Peanut Butter, American Motors and Derby Foods. These spots incorporated characters like Mickey Mouse, Peter Pan, Tinker Bell, Pluto, Donald Duck, Jiminy Cricket, Alice, the Cheshire Cat, Dumbo and the Mad Hatter, among others. Then there was the second group Disney that produced for other companies like Tommy Mohawk for Mohawk Carpets, Fresh Up Freddie for the 7-Up soft drink and others.

oreb-disneycars.jpg
oreb_pegleg-580x415.jpg
orebfox-group-580x543.jpg
cerealcomercials01-big.jpg
oreb-trixboy-580x258.jpg
aliceinwonderland-tomddoreb-580x444.jpg
orebfox-580x569.jpg
oreb-alice-b-580x507.jpg

The niece of  Walt Disney's wife, Phyllis Bounds, teamed up with her husband George Hurrell to start their own television adverting company at the Disney Studio. Hurrell at the time was best known for his glamorous style of photography of Hollywood movie stars in the 1940's.  Their production company utilized the Disney staff in 1952.

oreb_panb.jpg
oreb_mickey-580x447.jpg

One of the leading story men at Disney was Bill Peet. After he had an argument with Walt Disney on a section of Sleeping Beauty, he was banished the following day to work on the Peter Pan Peanut Butter TV commercials.

45073601_10156553661816063_6889553113913
44944744_10156553661516063_3302151181366
44917872_10156553661876063_5123020326195
44927139_10156553661901063_3488801401964
45030901_10156553661931063_3817031706192
45073610_10156553661756063_3270767198204
DISNEY ANIMATOR.jpg
disney book neil gabler.jpg
disney book maltin.jpg

Click: Link to books on Walt Disney and Company

peter pan01 COVER.jpg

Long time Disney animator Harry Tytle, wrote in his autobiography ONE OF "WALT'S BOYS": AN INSIDER'S ACCOUNT OF DISNEY'S GOLDEN YEARS: "Commercial work answered our prayers, as it supplied badly needed capital. Advertising work clearly helped keep the studio intact. But while the studio made money with this type of product (and I mean big money) it was not a field either Walt or Roy were happy to be in. Their reasoning was sound. We didn't own the characters we produced for other companies; there was absolutely no residual value. Worse, we were at the whim of the client; at each stage of production we had to twiddle our thumbs and await approval before we could venture on to the next step."

(l. to r.) Victor Haboush, Tony Rizzo, W

 Disney animators Victor Haboush, Tony Rizzo, Walt Peregoy and Tom Oreb in 1958.

R-11612470-1519416053-4039.jpeg.jpg
121.jpg

The studio gave work  to their  stock company of actors with voice work on that included Sterling Holloway (the voice of Winnie the Pooh, among others) and Cliff Edwards (Jiminy Cricket) narrating the Peter Pan Peanut Butter commercials.

Peter Pan Peanut Butter

44931433_10156554256386063_4316561558340
45093852_10156554256426063_6564293385161
44934023_10156553589116063_2174954404854
44979334_10156554256326063_8523474560119
44977694_10156553589091063_1686511602758
45003853_10156553589136063_7424491754486
peter pan add 2.jpg
Debry PETER PAN PEANUT BUTTER Vintage 19
DISNEY NEWSPAPER AD.jpg

Nash Rambler 1955 with Micky Mouse

adda.jpg
45043817_10156553588126063_1707102105472
45030002_10156553588036063_6700317267168
Tom Oreb.jpg

Tom Oreb at Disney in 1958

American Motors The Hornet & The Wasp

44950808_10156553588811063_6733334531903
gepetto-oreb.jpg
44919973_10156553587981063_6651541166128

American Motors Corporation (AMC) was an American automobile company formed by the 1954 merger of Nash-Kelvinator Corporation and Hudson Motor Car Company. At the time, it was the largest corporate merger in U.S. history. AMC went on to compete with the US Big Three—Ford, General Motors and Chrysler—with its small cars including the Rambler American, Hornet, Gremlin and Pacer; muscle cars including the Marlin, AMX and Javelin; and early four-wheel-drive variants of the Eagle, America's first true crossover. The company was known as "a small company deft enough to exploit special market segments left untended by the giants"

At its 1987 demise, The New York Times said AMC was "never a company with the power or the cost structure to compete confidently at home or abroad."

Jello Commercials 

44975460_10156553588276063_3948714900976
44956634_10156553588226063_8312907771183
44932996_10156553588166063_4238759905105
44956583_10156553588191063_8405410040910
Fred Moore, Art Babbitt and Larry Clemmo

Art Babbitt set up his camera to take a time-release photograph of himself (in the center), Fred Moore and their assistant, Larry Clemmons in their space at the Disney Hyperion studio, circa 1932

Bill Tytla animator.jpg

Animator Vladimir Tytla, nicknamed “Bill” by his friends

Jello Commercials with Alice in Wonderland 

American Motors Nash 1955 Mickey Mouse & Pluto

45043817_10156553588126063_1707102105472
44943419_10156554252201063_5827278775284
44976647_10156554255246063_6658351163194
45030002_10156553588036063_6700317267168
44948290_10156554255811063_7629438853593
44943289_10156553588776063_5105822478278

American Motors Nash Ambassador

Clifton Avon Edwards

cliff edwards jiminy cricket.jpg

Clifton Avon Edwards known as "Ukulele Ike" was a musician, singer, actor and voice actor, who enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes. He had a number-one hit with "Singin' in the Rain" in 1929. He also did voices for animated cartoons later in his career, and is best known as the voice of Jiminy Cricket in Walt Disney's Pinocchio (1940) and Fun and Fancy Free (1947).

Other Disney Commercials

44951168_10156554255026063_8773063922962
44996431_10156554255071063_5476503522000

TVDAYS.com 220 West 71st Street  NYC 10023 Vidres@aol.com

bottom of page